STAY IN THE LOOP

WITH CANDELA ARTIST AND EXHIBITION FEATURES


NCECA WEEK EXTENDED HOURS:

Candela Gallery is pleased to present a fresh selection of inventory by mixed media artist Holly Roberts, one of three solo features by artists incorporating the photographic image from the perspectives of ceramics and painting. These exhibitions open Friday, March 15th, running alongside the 2024 NCECA ceramics conference (March 20 – 23) and closing Saturday, April 20th, 2024.

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EXHIBITION: THE WHITE HOUSE CHINA

Candela Gallery is pleased to present images from Kathleen Clark’s series, The White House China. Clark’s is one of three solo features by artists incorporating the photographic image from the perspectives of ceramics and painting. These exhibitions open Friday, March 15th, running alongside the 2024 NCECA ceramics conference (March 20 – 23) and closing Saturday, April 20th, 2024.

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EXHIBITION: HOLLY ROBERTS

Candela Gallery is pleased to present a fresh selection of inventory by mixed media artist Holly Roberts, one of three solo features by artists incorporating the photographic image from the perspectives of ceramics and painting. These exhibitions open Friday, March 15th, running alongside the 2024 NCECA ceramics conference (March 20 – 23) and closing Saturday, April 20th, 2024.

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EXHIBITION: IRL OBJECTS

Candela Gallery is pleased to present Nick Lenker’s ceramic exhibition, IRL OBJECTS, one of three solo features by artists incorporating the photographic image from the perspectives of ceramics and painting. These exhibitions open Friday, March 15th, running alongside the 2024 NCECA ceramics conference (March 20 – 23) and closing Saturday, April 20th, 2024.

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Group Show, Announcement, Exhibition Whitney Cole Group Show, Announcement, Exhibition Whitney Cole

EXHIBITION: Angle of Draw

Through the lenses of the natural landscape and propaganda imagery, Angle of Draw examines the intersections of power, sustainability, and whiteness in the United States. Bush draws from propaganda imagery from the 1960s and 1970s to create starkly lit black-and-white photographs in the studio and the physical landscape. Throughout his process, Bush considers the impact of the fossil-fuel industry on the natural environment, local economy, and future prospects of those left behind by corporations.

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