STAY IN THE LOOP

WITH CANDELA ARTIST AND EXHIBITION FEATURES


EXHIBITION: I am an unruly wind

Candela gallery is excited to share the monumental, colorful mixed media works of Massachusetts based artist, Daisy Patton. Patton utilizes scale, color, and presentation to elevate the found photograph to an iconographic status, breathing life and distinction into forgotten faces. The gallery will be featuring 14 pieces in Patton’s exhibition, I am an unruly wind beginning Friday, May 3 and remaining up through Saturday, June 22.

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Installation, Exhibition, Solo Show Whitney Cole Installation, Exhibition, Solo Show Whitney Cole

ARTIST FEATURE: Nick Lenker’s IRL OBJECTS

Nick Lenker’s IRL Objects are made from a slab ceramic technique with a photo-ceramic decal process. Lenker creates objects made with the visual language of video games and 3D modeling, utilizing found and created imagery inspired by gaming, religion, art history, and personal relationships. Learn more about Philadelphia artist Nick Lenker's mixed media objects, on view at Candela Gallery through April 20.

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NCECA WEEK EXTENDED HOURS:

Candela Gallery is pleased to present a fresh selection of inventory by mixed media artist Holly Roberts, one of three solo features by artists incorporating the photographic image from the perspectives of ceramics and painting. These exhibitions open Friday, March 15th, running alongside the 2024 NCECA ceramics conference (March 20 – 23) and closing Saturday, April 20th, 2024.

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EXHIBITION: THE WHITE HOUSE CHINA

Candela Gallery is pleased to present images from Kathleen Clark’s series, The White House China. Clark’s is one of three solo features by artists incorporating the photographic image from the perspectives of ceramics and painting. These exhibitions open Friday, March 15th, running alongside the 2024 NCECA ceramics conference (March 20 – 23) and closing Saturday, April 20th, 2024.

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EXHIBITION: Big Head (Thinking)

Candela Gallery is pleased to present a fresh selection of inventory by mixed media artist Holly Roberts, one of three solo features by artists incorporating the photographic image from the perspectives of ceramics and painting. These exhibitions open Friday, March 15th, running alongside the 2024 NCECA ceramics conference (March 20 – 23) and closing Saturday, April 20th, 2024.

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EXHIBITION: IRL OBJECTS

Candela Gallery is pleased to present Nick Lenker’s ceramic exhibition, IRL OBJECTS, one of three solo features by artists incorporating the photographic image from the perspectives of ceramics and painting. These exhibitions open Friday, March 15th, running alongside the 2024 NCECA ceramics conference (March 20 – 23) and closing Saturday, April 20th, 2024.

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Group Show, Announcement, Exhibition Whitney Cole Group Show, Announcement, Exhibition Whitney Cole

EXHIBITION: Angle of Draw

Through the lenses of the natural landscape and propaganda imagery, Angle of Draw examines the intersections of power, sustainability, and whiteness in the United States. Bush draws from propaganda imagery from the 1960s and 1970s to create starkly lit black-and-white photographs in the studio and the physical landscape. Throughout his process, Bush considers the impact of the fossil-fuel industry on the natural environment, local economy, and future prospects of those left behind by corporations.

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EXHIBITION: High Water

Candela Gallery is thrilled to present High Water, a debut solo exhibition by Richmond, Virginia based photographer, Emily White. In response to our modern world, inundated by digital diversions and perpetual tail-chasing, Emily White has staked out essential and reverent landscapes. White approaches the landscape genre using a mix of 19th century and contemporary processes and manages to bridge the nostalgia for a familiar place and the discordant emotions of the southern wilds.

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EXHIBITION: Stranger in the Village

Candela Gallery is pleased to present Stranger in the Village by Connecticut based artist and educator, Gary Burnley. Titled after a seminal essay by James Baldwin, Burnley's series, comprised of formal collages, challenges and re-imagines historical portraiture and other narrative, painting conventions emblematic of western culture and history. The artist's process is intuitive, drawing from personal, historical, and collective experiences; each piece is cut from reproductions of traditional portraits, sketches, family archive imagery and yearbook photographs, then carefully reconstructed allowing new meanings to emerge.

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EXHIBITION: Primitive Visions

Candela Gallery is excited to announce Primitive Visions, the gallery’s debut solo show by mixed-media artist and educator, Holly Roberts. Applying both photography and painting to her practice, Robert’s newest exhibit presents dream-like portraits of the recognizable: familiar places, scenes, and subjects that have been reconstructed and embellished by Robert’s use of collage.

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EXHIBITION: wILD cLAY

wILD cLAY is an exhibition of artworks by Tim Roda, exploring clay and photography as artistic mediums connected by uncharacteristic utility. The works in this exhibition embrace the functional history of clay as a vessel, making photography and material a means of exploratory documentation. The vessels in wILD cLAY function as clay cameras, while also existing as fragile, earthen material and crudely created domestic ecosystems. The resulting pinhole cameras and large scale photographs present questions about freedom and responsibility, raised by curiosity and ingenuity, with regard to our constructed and natural environments.

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EXHIBITION: HALLUCINATIONS

Candela Books + Gallery is pleased to present a solo exhibition of new works by Justin James Reed. The exhibition will open on Friday, September 6th and will be on view through Sunday, October 27th. Please join us for an opening reception and artist talks on Thursday, September 5th, from 5- 8 pm.

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EXHIBITION: ATOM | PLANET

Candela Gallery is pleased to present ATOM | PLANET, a solo exhibition by Brooklyn-based artist, Anne Arden McDonald. Within this series McDonald creates photographic works imbued with celestial and atomic aesthetics. Approaching her darkroom process like a sort of alchemy, McDonald captures a dialogue nebulously drifting between mediums by testing materials and techniques through experimentation, noting variables, and observing the results, and amending processes.

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